I want to talk to you about certain celebrity singing styles that could ruin your voice. As a singer, we all grow up imitating other singers but this can be dangerous.
Here are a few rules you should follow to make sure your voice stay amazing:
- LEARN TO GO FROM CHEST TO MIDDLE TO HEAD
- MASTER DIAPHRAGMATIC BREATHING
- BE CAREFUL WHEN IMITATING OTHER ARTISTS
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Hi, I’m Roger Love, celebrity voice coach and author of the bestselling book Set Your Voice Free. Today, I want to talk to you about certain celebrity singing styles that could ruin your voice. As a singer, we all grow up imitating other singers. I used to love Stevie Wonder, and I would just sing Stevie Wonder songs, and when he went up high, I would go up high. When he would go down low, I would go down low. And the techniques that I was learning as a young person allowed me to access all of that range, chest voice down low, middle voice in the middle, and head voice when it went up high.
But a lot of people who are singing very, very range-y songs or imitating other artists who sing super high, for example, Bruno Mars, who sings very much like Stevie Wonder does in the same ranges—if you’re trying to sing along with a Bruno Mars song and you don’t have a great middle voice and a great head voice, then you are straining as you go from the low notes to the high notes. You’ve got your stomach tight. You don’t have the breathing down. You’ve got your face all tense. Your two eyebrows have become one eyebrow. Your butt cheeks are pressed up against each other, because you have so much tension, and you’re stuck in chest voice. So, Bruno is soaring above the clouds with all of the notes he’s hitting, and you’re stuck planted in the ground in chest voice and straining and shouting.
Well, if you’re doing that, you are straining your voice, and you need to learn how to do the middle voice and the head voice. There’s lots of techniques that can mess up your voice that you’re hearing other celebrities do. For example, there are a lot of celebrities that sing quite airy. A number of my students do. Let’s take Selena Gomez, who I love, and the songs are great, and she sings them beautifully, and she sings some of them very airy, “can’t keep my hands to myself.” So, if you’re trying to sing all of your songs airy, all day, all night, trying to be like Selena, you are actually making your vocal cords super dry, because all of that extra air is like creating a wind burn effect on your cords. All that air is making your beautiful pink cords red and puffy and swollen. So, can you sing airy? Yes, once you’ve learned how to do diaphragmatic breathing, when you control how to get amazing amounts of air in and how to get amazing amounts of air out. When you have diaphragmatic breathing, it’s easier to sing airy. But nobody, including Selena, can sing airy all the time, so be careful when you’re singing too airy that you don’t dry out your throat, and be drinking lots of water. And like I said, learn how to do diaphragmatic breathing, and it will be easier.
Now, in country, there’s a lot of this sound, which I call the squeaky hinge. “I’m here for you, baby. Aaaaah.” And that sound might be really cool if you’re sitting on the porch with a country singer, and they’re playing the guitar, and they’re addressing their beautiful song to you. But actually, that sound happens when the vocal cords are vibrating, but there’s insufficient amounts of air coming through, so then your vocal cords get red and puffy and swollen when you sing like this, even if it’s cool. So, OK, it’s cool. You still need to learn how to do diaphragmatic breathing. You still need to learn to sing up loud enough that you have some air coming through. Use cool sounds sparingly if you already know they’re hard on your voice.
Also, a lot of singers sing in their nose, not just country artists. They’re singing like this. It’s a style where everything goes in your nose, and it’s become quite popular. I just came back from Nashville, and I went to the Grand Ole Opry. It was a beautiful night. We had such a great time. But a lot of the singers were singing in their nose. Well, so, again, cool sometimes, but when you’re stuck in your nose singing all the time, your Adam’s apple is always high, and when your Adam’s apple is high, your throat’s closed, so actually, you’re making it harder on your voice. And if you keep singing only in your nose with your Adam’s apple up, your throat gets more closed and more closed and more closed, and then your vocal cords get red and puffy and swollen, and you’re singing like you have a cold all the time, and your voice isn’t healthy. So, again, you like a little bit of nasality? Great, use it sparingly. You like a lot of airy sounds? Great, use it sparingly. You like high notes? Learn how to do chest, middle, and head.
There are singers that have become superstar singers. I remember Whitney Houston used to do this with her vibrato. She would shake her jaw. And if you see some singers, you watch them. They’ll do the same thing. “And I— will always love you—,” and they’re dropping their jaw like that, trying to make vibrato. And you’re like, “Why are they doing that? Is that OK?” And then suddenly, you’re doing that with your jaw, “I—,” trying to make vibrato. But doing that with your jaw creates a ton of pressure in your jaw, and that pressure, that tension, goes right here to the strap muscles, which control the position of the larynx. So, if you’re all tight with your jaw, trying to shake it up and down, you’re actually putting pressure on the muscles that control the opening and closing of your throat, and the fact that your Adam’s apple comes up and down, and what the vocal cords are doing. So, if you do things that put pressure on your jaw, you’re straining your voice, so don’t learn how to do vibrato like that.
Be careful that, when you are imitating sounds that you hear other artists doing, if you feel pain or strain from those sounds, you need to stop, try to figure out what sound it is—is there a way to lower your Adam’s apple, so that that opens up your throat? Is there a way to stop tightening your stomach and do diaphragmatic breathing? Is there a way to go into middle voice or head voice to take away the pressure? Are they singing so loud that, if you just sang a little softer, you’d have seventy-five percent less pressure? You have to be smart about this.
So, the key things to pay attention to—straining by imitating the styles you like. You might love rock singers who have this kind of a sound. Oh, they’ve got this kind of thing where they have all this crunchy “I just ate razor blades for breakfast” kind of a voice, and you’re like, “Wow, that’s cool. I want to do that. I want to sound like I grew up on the street. I don’t want to sound like I grew up on the streets of Beverly Hills. That’s not cool.” So, to get that kind of sound like that, again, hard on the vocal cords—can you make that sound? Yes! Is it easier when you do diaphragmatic breathing? Yes. Should you only do it in moderation? Yes. I want you to have a voice that is full of style and sounds amazing, and I want you to be able to imitate and sing along with all the artists that you love. I just want you to do it without creating any pressure here, keeping your Adam’s apple down, learning how to do diaphragmatic breathing, going from chest to middle to head, and then you will not ruin your voice by singing along with singers that have potential of ruining their voices, along with your voices.
Follow these very simple rules that I have given you today, and your voice will be amazing. You will find your style, and you will sound incredible and never ruin your voice. I’m Roger Love, and I can’t wait to listen to you and talk to you again.